After the 2025/26 season, the Suncoast Composer Fellowship Program will be renamed to the Soundbox Fellowship Program for Composers.

This change reflects an expansion in programming that supports our mission to catalyze collaborations between composers and performers.

Please review all program-specific information carefully below.

Soundbox Fellowship Program for Composers: April 8–13, 2026

The Soundbox Fellowship Program for Composers — April 8–13, 2026 is a week-long residency in Sarasota that combines SFP’s core curriculum with a special focus on memory, history, and advocacy, inspired by oboist James Austin Smith’s Hearing Memory project. 

Across the week, composer fellows work closely with resident performers and faculty to develop new or recent works, receive individual and group mentorship, and rehearse and refine their music in workshop settings, culminating in readings and professional documentation. This practical work is interwoven with SFP’s signature seminar blocks on artist-advocacy, communication, portfolio-building, and the realities of a 21st-century composing career, all within a small, supportive cohort. 

This session is anchored by a live presentation of Hearing Memory—a musical-historical project that explores an overlooked East German avant-garde through documentary interviews, storytelling, and performance, examining how musicians create meaning beyond sound and how cultural memory shapes our present. Fellows engage with the themes of the project—lost or marginalized histories, political context, and the afterlives of repertoire—and are invited to reflect on how their own works participate in, challenge, or expand the musical record.

In keeping with SFP’s mission, the April program asks composers not only to hone their craft, but also to consider how their voices can advocate for under-heard stories, communities, and musical lineages, using Hearing Memory as a living case study in composing, curating, and listening with historical awareness.

Faculty

Tentative Program Schedule

Program Focus

The SFP for Composers provides participants with a professional audio and video recording of their work to supplement their portfolios.

For this program, composers may apply to:

  1. write a new short work or movement for pre-assigned solo or small chamber ensemble, OR

  2. submit a recently completed work or movement for solo or small chamber ensemble.

In either case, composers should fit their proposed works to the focus of the program.

Instrumentation can include: violin, viola, cello, piano, flute, clarinet.

Application Timeline

Application Period: Dec 15, 2025–Jan 7, 2026

Application Deadline: Jan 7, 2026 at 11:59 PM Eastern

Application Results: Jan 13, 2026

Matriculation Deadline: Jan 23, 2026

Apply (opens Dec 15)
Wed
April 8
Thu
April 9
Fri
April 10
Sat
April 11
Sun
April 12
Mon
April 13
Travel / Arrival Day
Welcome Dinner
Orientation
Workshop Rehearsals
Seminars and Editing
Workshop and Rehearsals
Seminars and Group Discussions
Rehearsals
Seminars
Concert: James Austin Smith presents Hearing Memory
Coffee Conversations
Afternoon: Recording Sessions
Farewell Dinner
Travel / Departure Day

Soundbox Fellowship Program for Composers: July 22–27, 2026

The Soundbox Fellowship Program for Composers — July 22–27, 2026 is a week-long residency in Sarasota that focuses on the workshopping of newly completed works and already-premiered works for a “second performance” recording.

In keeping with SFP’s mission, the July program asks composers not only to hone their craft, but also to consider how the canon of musical works is shaped through extra-musical factors, such as economic feasibility, potential for second performances, and space for interpretation. The program also begins a series of conversations about the nature of arrangements and their function in the musical repertoire. More curriculum details will be announced in January 2026.

Faculty

Tentative Program Schedule

Program Focus

The SFP for Composers provides participants with a professional audio and video recording of their work to supplement their portfolios.

For this program, composers may apply to:

  1. write a new short work or movement for pre-assigned solo or small chamber ensemble, OR

  2. submit a recently completed work or movement for solo or small chamber ensemble, OR

  3. submit an already-premiered work for a “second performance” recording.

In any case, composers should be mindful that all works must range between 5 to 10 minutes in length.

Instrumentation can include: violin, viola, cello, piano, flute, clarinet, and some percussion.

Application Timeline

Application Period: Jan 30–Mar 15, 2026

Application Deadline: Mar 15, 2026 at 11:59 PM Eastern

Application Results: Mar 23, 2026

Matriculation Deadline: Mar 31, 2026

Apply (opens Jan 30)
Wed
July 22
Thu
July 23
Fri
July 24
Sat
July 25
Sun
July 26
Mon
July 27
Travel / Arrival Day
Welcome Dinner
Orientation
Introductory exercise: composers write a 30-second character piece
Workshop and Rehearsals
Chamber Music Reading Party with premieres of character pieces
Editing period for composers
Workshop and Rehearsals
Public lecture/performance event
Final editing period for composers
Rehearsals / Seminars for composers
Social group activities
Morning Coffee Conversation: Topic TBA
Afternoon: Recording Sessions
Farewell Dinner
Travel / Departure Day

Sample Past Workshop Recordings

Addendum for piano quartet by Dylan Tyree, recorded in August 2024

introvert language for viola and piano by Ty Bloomfield, recorded in August 2024

All artists and composers will live together at the Steinwachs Artist Residences in downtown Sarasota.

Images of the Steinwachs Artist Residences are shown below.